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MEDIA CONTACT: Judy
Moore at (847) 491-4819 or jkm229@northwestern.edu
March 9, 2004
Play About Artist Rene Magritte Opens April 15
EVANSTON, Ill. --- “This is Not a Pipe Dream,” Barry Kornhauser’s
imaginative and creative family play about renowned “surrealist” artist
René Magritte (1898-1967), focuses on his youth and his journey to become
an artist in spite of numerous obstacles.
Suitable for audiences aged 7 to 87, public performances are scheduled for 7:30
p.m. Thursday, April 15; 7:30 p.m. Friday, April 16; 2 and 7:30 p.m. Saturday,
April 17; and 2 p.m. Sunday, April 18, at the Ethel M. Barber Theatre, 30 Arts
Circle Drive, Evanston campus.
The production also will tour seven Evanston and Chicago elementary and middle
schools this spring.
“This play is filled with physical comedy and coupled with important ideas,” said
Northwestern University theatre faculty member Lynn Kelso, who is directing the
upcoming production. “To appeal to children, the story of René as
a young child is presented through slapstick, music, word play and vaudeville.”
As a child, Magritte’s father told him that his desire to become a painter
was merely a “pipe dream.” Rather than become discouraged, the young
Magritte followed his dream with the encouragement of his mother whom he tragically
lost when he was 14. At 15, he met his future wife -- Georgette Berger. They
were married nine years later.
Kelso said Kornhauser’s play is written in the magic surrealistic style
that appears in Magritte’s paintings. The Surrealism movement that began
in the mid-1920s drew heavily on dreams, the irrational and fantasy.
“This Surrealism causes the viewer to stop and look from a different point
of view. Watching the young painter struggle with the adult world, his teacher
and his father, in order to become an artist, the audience learns that ‘words’ often
confuse. What do words represent? How do we know what someone says is real? What
is hidden behind the words and behind the images?”
The central focus of the stage’s set design will be a large Magritte-style
painting of the sky with the actors becoming the parts of the picture. This sky
painting upstage will be combined with simple boxes on the stage that will appear
to have fallen out of the painting. The actors become the play’s characters.
“Using Magritte’s trademarks -- little men in bowler hats, windows,
apples, draped scarves on heads, and rocks -- the actors entertain and take the
audience into the world of the artist and the play to encourage us ‘to
follow the dream’ and to see the world as a child with all its mystery
and surprise of seeing something for the first time,” said Kelso.
During each performance, the play’s interlocutor will take the audience
in and out of the scenes to remind them that plays are not reality, but only
an illusion of it.
“Using paintings instead of words, René believed that ‘if
you look at something to discover what it means, you end up no longer seeing
the thing. It is to deny its wonder, its mystery, and the mystery of the visible.’ René was
a thinker who communicated by means of paint,” added Kelso.
Northwestern University ‘s 2003-04 Mainstage season is supported by the
Sara Lee Foundation.
Single tickets are $17 for the general public; $15 for senior citizens and Northwestern
faculty and staff; and $9 for full-time students. For more information or to
order tickets by phone, call the Theatre and Interpretation Center box office
at (847) 491-7282.
Online ticket sales for Northwestern Mainstage productions also are available
through TicketWeb.com by going to the Northwestern Theatre and Interpretation
Center Web site at http://www.tic.northwestern.edu/tickets.html and clicking
the TicketWeb icon.
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